Scene from the premiere of Der Zar lässt sich photographieren at the Neues Theater, Leipzig, with the male chorus standing in the pit; 1928
Weill attended the second production of Der Zar lässt sich photographieren mounted by the Stadttheater Düsseldorf on 27 March 1928
Scene from Der Zar lässt sich photographieren at the Staatsoper Berlin, 1977
Scene from the 2016 production at the Anhaltisches Theater; Dessau | Photo: Claudia Heysel
The curtain rises on Angèle’s photography studio in Paris. The telephone is ringing; from Angèle’s end of the conversation, we learn that the czar (nation unspecified) wishes to be photographed. He plans to arrive almost immediately, so Angèle and her assistants rush to set up (). The doorbell rings, but when they open it, a crew with guns confronts them. They aim to impersonate Angèle and her assistants in order to assassinate the czar (). The conspirators disguise themselves and conceal a pistol in the camera. They inform Angèle that they arranged for the czar to come to her studio (), and then gag her and her servants and drag them offstage. The doorbell rings. Two detectives enter and search the studio, but they fail to find the hidden gun. At last, the czar enters and begins conversing with the false Angèle as he wanders around the studio studying the pictures on the walls (). The false Angèle directs him to sit in the chair (), which he does after more dawdling. As soon as she has the camera in place, he shifts position (). She is frustrated, but she coaxes him back into position and begins to count to three. As she is about to shoot, he leaps up and suggests that they trade places (). The false Angèle resists, but the czar begins fiddling with the camera anyway (). Finally she pretends to accede, but then she leaps out of the chair as the czar counts three. Increasingly desperate, she tries to get him back in the chair as he tries to kiss her (). He sits, and she counts again. The czar’s manservant enters and warns the czar of a plot against him just as she is ready to shoot (). The false Angèle is terrified, but the czar is unconcerned () and continues his efforts to seduce her. Finally she gets him back in the chair, but once again he jumps up to photograph her (). They set to chasing each other until the manservant enters once again to say that the plotters have been tracked to that very studio. The false Angèle places a record on the gramophone, and they dance (). She convinces the czar to hide by saying she is about to undress and give in to his desires. The other conspirators enter and they escape in confusion. As they exit, Angèle and her assistants enter and remove their gags. She discharges the gun as the police pound on the door, which masks the noise (). At last, as the curtain falls, the czar has his photograph taken.
Cast
Singing Roles
The Czar (baritone)
Angèle (soprano)
The Assistant (tenor)
The Boy (alto)
The False Angèle (soprano)
The False Assistant (tenor)
The False Boy (alto)
The Leader (tenor)
The Czar's Aide (bass)
Two detectives
Conspirators
Officers
Policemen
Male chorus in pit
Instrumentation
2 Flutes
2 Oboes
2 Clarinets
2 Bassoons
3 French horns
2 Trumpets
2 Trombones
Piano
Timpani, percussion
Strings
On-stage gramophone (for recording of "Tango Angèle")