11 May – Aufstieg und Fall der Stadt Mahagonny Staatsoper Stuttgart (Cornelius Meister, conductor; Ulrike Schwab, director) Young performers from the Stuttgart ensemble join with director Ulrike Schwab for an Aufstieg that “explores the question: Who would still dare to dream of a better future today?” Stuttgart Generalmusikdirektor Cornelius Meister conducts. Also 15, 26, 28 May and 1, 8, 11, 29 June. 16 May – Fantaisie symphonique (Symphony No. 2) Symphoniker Hamburg (Sylvain Cambreling, conductor) Another performance for one of Weill’s most ascendant works today, his second symphony or Fantaisie symphonique. 23 May – Symphonic Nocturne from Lady in the Dark City of Birmingham Symphony Orchestra (Fabien Gabel, conductor) In 1949, Robert Russell Bennett devised this concert suite for symphony orchestra based on themes from Weill’s 1941 Broadway show Lady in the Dark. This performance in Birmingham marks yet another entry in a recent trend among major orchestras. 31 May – Die sieben Todsünden Norwegian Opera and Ballet (Hanne Tømta, director; Georgie Rose, choreographer; Eli Kristin Hanssveen, Anna I; Ida Haugen, Anna II) The Seven Deadly Sins was Hanne Tømta’s directorial debut at the Oslo Opera House, originally performed in front of cameras due to the onset of the pandemic. Now it can be performed live. The stark, dark production was described by Aksel Tollåli in Aftenposten as “delightfully sinful, but also brutal in both song and movement.” Also 2, 4, and 7 June. For a full listing of upcoming events, view the Kurt Weill events calendar. |